{"id":36113,"date":"2025-05-02T08:23:00","date_gmt":"2025-05-02T08:23:00","guid":{"rendered":"https:\/\/www.prnasia.com\/story\/archive\/4678645_AE78645_0"},"modified":"2025-05-02T08:23:00","modified_gmt":"2025-05-02T08:23:00","slug":"hong-kong-designers-association-design-summit-cum-bda-brand-award-2025-global-design-awards-2025-award-presentation-ceremony-design-exploration-envisioning-the-future-of-creativity","status":"publish","type":"post","link":"https:\/\/transmediavictoria.net.au\/?p=36113","title":{"rendered":"Hong Kong Designers Association Design Summit cum BDA Brand Award 2025 & Global Design Awards 2025 Award Presentation Ceremony : Design Exploration : Envisioning the Future of Creativity"},"content":{"rendered":"

HONG KONG<\/span>, May 2, 2025<\/span> \/PRNewswire\/ — The Hong Kong Designers Association (HKDA) proudly hosted the Hong Kong Design Summit 2025 on April 25, 2025, at sky100, International Commerce Centre, bringing together over 1,200 participants from various design disciplines, corporates, and brands. Themed “Design Exploration : Envisioning the Future of Creativity<\/i>“, the event provided an exceptional platform for collaboration, networking, and celebrating excellence in design.<\/p>\n

\n

\"BDA <\/a>
BDA Brand Award Winners 2025<\/span><\/p>\n<\/p><\/div>\n

The highly anticipated event also featured two prestigious award ceremonies: the BDA Brand Award 2025 and the Global Design Awards (GDA), recognizing outstanding achievements in branding and design from both local and international participants. The Summit proved to be a tremendous success, fostering connections across industries and solidifying Hong Kong’s reputation as a global hub for design innovation.<\/p>\n

The Hong Kong Design Summit 2025 is honored to have the presence of Mr. Raistlin LAU, JP, Under Secretary for Culture, Sports and Tourism; Dr. Thomas Garvey, President of World Design Organisation; Prof. Pradyumna Vyas, President-Elect of World Design Organisation; Dr.Kan Tai Keung, SBS,BBS, Former Chairman of HKDA and Mr. Henry Steiner, Former Chairman of HKDA.<\/p>\n

During the opening ceremony, Mr. Raistlin Lau, JP congratulated the winners of BDA Brand Award and reiterated the importance of the integration between design and business, emphasizing that design is not only an artistic expression but also a driving force for economic development. Ms. Mui Kinoshita, the Chairman of the Hong Kong Designers Association (HKDA) also emphasized the importance of fostering cross-disciplinary collaboration and showcasing local design excellence at her opening remarks.<\/p>\n

Key Highlights of the Hong Kong Design Summit 2025<\/b> <\/p>\n

1. Envisioning the Future of Creativity<\/i> <\/p>\n

The Summit explored the transformative power of design in addressing global challenges, including Technology & Innovation in Design, Sustainability and Wellness in Design, Craftmanship and Cultural in Design. Through roundtable dialogues, participants engaged in meaningful discussions about the future of design and its role in shaping the world.<\/p>\n

Renowned design leaders and award-winning professionals also exchanged insightful sharing, leaving attendees inspired and equipped with valuable insights to apply in their respective fields.<\/p>\n

2. DesignMatch 2025: Networking Redefined<\/i><\/p>\n

Building on the success of previous years, DesignMatch returns in 2025 with expanded opportunities for one-on-one business matching sessions. Participants got to pre-schedule meetings with corporates, brands, and fellow designers, fostering connections and unlocking collaboration opportunities. This initiative once again proved to be a game-changer, facilitating meaningful collaborations and projects.<\/p>\n

BDA Brand Award 2025: Honouring Excellence in Branding<\/u> <\/b> <\/p>\n

The BDA Brand Award<\/span> continues <\/span>to recognize brand designs that excel in innovation, market impact, and sustainability. This year’s competition attracted over 250<\/b> entries from diverse industries, further solidifying BDA’s authoritative position as one of Hong Kong’s top brand awards<\/b>. The BDA Brand Award invites nominations from professional<\/span> designers or organizations, with submissions evaluated by a panel of experts based on three aspects: brand story, development, and achievements. Additionally, five assessment criteria are considered: user experience, brand image, technology and innovation, sustainability, and market value.<\/p>\n

The awards celebrated winners across multiple categories, including Best User Experience<\/b>, Best Sustainability<\/b>, Best Market Value<\/b>, Best Innovation<\/b>, Best Brand Image<\/b>, Grand Award of the Year<\/b>, and the prestigious Best of the Best Award<\/b>. A professional jury panel comprised of esteemed first-round judges\u2014Mr. Hong Ko<\/b> (Partner, KL&K Design), Mr. Kirin Leung<\/b> (Founder, Kirin+lab), Mr. Ron Leung<\/b> (Founder\/Creative Director, L.I.M. Design Work Ltd), Mr. Kenny Li<\/b> (Founder, FM+ Concepts & FAVEbyKennyLi), and Mr. Gary Tam<\/b> (Founding Director, GOODSS)\u2014as well as final-round judges\u2014Ms. Hilda Chan<\/b> (Chief Marketing Officer, HKSTP), Mr. Donald Choi<\/b> (Director, HKDC), Ms. Mui Kinoshita<\/b> (Chairman, HKDA), Ms. Doris Luey<\/b> (Co-founder & Director, Caring for Children Foundation & Healthy HK), and Mr. Erich Wong<\/b> (Head of Growth (HK), The Sandbox). The judges meticulously assessed submissions through a rigorous process, including an initial online evaluation and live presentations.<\/p>\n

From a pool of 39 exceptional winning entries, the jury evaluated each brand’s overall excellence, market impact, and alignment with the selection criteria in their respective fields. It is with great pleasure that we announce GREEN@COMMUNITY<\/b> of the Environmental Protection Department, AIRSIDE<\/b>, and ANTA<\/b> as the winners of the Best of the Best Award<\/b>. These brands have demonstrated unparalleled excellence, and their selection as winners is a testament to their outstanding achievements.<\/p>\n

Additionally, 19 outstanding companies<\/b> have been recognized with the BDA Grand Award of the Year<\/b>, including:<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1.    Aravia Design Limited<\/span> <\/p>\n<\/td>\n

\n

11. Quooker <\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

2.    BeCandle<\/span> <\/p>\n<\/td>\n

\n

12. TamJai Mixian<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

3.    CityUHK Milk<\/span> <\/p>\n<\/td>\n

\n

13. SPARKLE by KAREN CHAN<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

4.    FungFitz<\/span> <\/p>\n<\/td>\n

\n

14. Spatial Concept<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

5.    Gold Peak Technology Group<\/span> <\/p>\n<\/td>\n

\n

15. SOULITE<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

6.    HAREODY HOME<\/span> <\/p>\n<\/td>\n

\n

16. TeamUnlock+<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

7.    Hong Kong Science & Technology Parks Corporation<\/span> <\/p>\n<\/td>\n

\n

17. The Spark<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

8.    Hong Kong Tramways <\/span> <\/p>\n<\/td>\n

\n

18. Tony Ip Green Architects<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

9.    IXDC (International eXperience Design Committee)<\/span> <\/p>\n<\/td>\n

\n

19.TriTerra & Dunwell<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

10.  Link Sustainability Lab<\/span> <\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

The full winner list of BDA Brand Award 2025 is listed on Appendix A.<\/p>\n

Global Design Awards (GDA) 2025: Unleash Great Design on the Centre Stage for a Global Market <\/u> <\/b> <\/p>\n

The Global Design Awards (GDA)<\/b>, one of HKDA’s flagship initiatives, celebrates outstanding achievements in design across graphics, fashion, product, interior, and digital media<\/b>. The HKDA Global Design Awards aim to recognise the outstanding designers and to reinforce Hong Kong’s status as one of the major creative hubs in the Asia-Pacific region.This year’s competition received entries from over 33 countries<\/b>, highlighting the global impact of Hong Kong’s design community<\/b>. <\/p>\n

Themed on “Unleash Great Design on the Centre Stage for a Global Market”, the HKDA Global Design Awards 2025 attracted a record breaking number of entries as well as gathered 15 world-class top-tier designers from around the world to form the judging panel which selected the winning entries in digital, graphic, product, fashion and interior design.<\/p>\n

The Awards Presentation Ceremony was officiated by the Ms. Mui Kinoshita, chairman of HKDA . GDA Gold, the biggest prizes of the evening, as well as the highest award that represents the highest honour in design, and GDA Global Top 10 were presented in the Awards Presentation Ceremony. The GDA Gold winners are:<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Entry <\/span> <\/p>\n<\/td>\n

\n

Category<\/span> <\/p>\n<\/td>\n

\n

Company Name<\/span> <\/p>\n<\/td>\n

\n

Designer<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p>\n<\/td>\n

\n

Strategic Design<\/span> <\/p>\n<\/td>\n

\n

CycleCore<\/span> <\/p>\n<\/td>\n

\n

Mui Kinoshita<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Ventete<\/span> <\/p>\n<\/td>\n

\n

Vehicle and Mobility<\/span> <\/p>\n<\/td>\n

\n

Ventete<\/span> <\/p>\n<\/td>\n

\n

Colin Herperger, Sam Davies, Patch Perez, Steven Pippin, Steven Davies<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

EH216-S Pilotless eVTOL<\/span> <\/p>\n<\/td>\n

\n

Vehicle and Mobility<\/span> <\/p>\n<\/td>\n

\n

Ehang<\/span> <\/p>\n<\/td>\n

\n

Ehang<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Planar three-dimensions<\/span> <\/p>\n<\/td>\n

\n

Cultural Fashion<\/span> <\/p>\n<\/td>\n

\n

Academy of Arts & Design, Tsinghua University<\/span> <\/p>\n<\/td>\n

\n

Li Yingjun<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Indecision<\/span> <\/p>\n<\/td>\n

\n

Wearable & Accessories<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

“Stone Flow Glacier”<\/span> <\/p>\n<\/td>\n

\n

Wearable & Accessories<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

HUSH\uff0eRUSH<\/span> <\/p>\n<\/td>\n

\n

Virtual Reality (VR)<\/span> <\/p>\n<\/td>\n

\n

Choi Sai Ho<\/span> <\/p>\n<\/td>\n

\n

Choi Sai Ho<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

TSM Xiangtangshan XTS iDome Project<\/span> <\/p>\n<\/td>\n

\n

Virtual Reality (VR)<\/span> <\/p>\n<\/td>\n

\n

Tsz Shan Monastery Limited<\/span> <\/p>\n<\/td>\n

\n

Eddy Hui<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

EasyGo<\/span> <\/p>\n<\/td>\n

\n

Branding<\/span> <\/p>\n<\/td>\n

\n

Find Design Studio<\/span> <\/p>\n<\/td>\n

\n

Xingyue Deng<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

PolyU School of Fashion and Textiles<\/span> <\/p>\n<\/td>\n

\n

Branding<\/span> <\/p>\n<\/td>\n

\n

Toby Ng Design<\/span> <\/p>\n<\/td>\n

\n

Toby Ng Design<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

RegeneOffice<\/span> <\/p>\n<\/td>\n

\n

Commercial and Office Space<\/span> <\/p>\n<\/td>\n

\n

NOSIGNER<\/span> <\/p>\n<\/td>\n

\n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Hong Kong Palace Museum_The Quest for Originality<\/span> <\/p>\n<\/td>\n

\n

Exhibition<\/span> <\/p>\n<\/td>\n

\n

84000 Communications Limited<\/span> <\/p>\n<\/td>\n

\n

anothermountainman (stanley wong)  X collective studio<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Galaxy Macau Kidz Edutainment Centre<\/span> <\/p>\n<\/td>\n

\n

Entertainment<\/span> <\/p>\n<\/td>\n

\n

Groundwork<\/span> <\/p>\n<\/td>\n

\n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

The full winner list of GDA 2025 is listed on Appendix B.<\/p>\n

Strengthening Cross-Border Collaboration through MOU signing with leading organisations <\/u> <\/b> <\/p>\n

HKDA is also proud to announce new memorandums of understanding (MOU)<\/b> with the World Design Organization (WDO) and the Dongguan Provincial Government, marking a significant milestone in fostering cross-border collaboration.<\/p>\n

The MOU with WDO, a globally renowned organization dedicated to advancing industrial design, aims to promote international design exchange and support Hong Kong designers in showcasing their creativity on a global platform. This partnership underscores the shared commitment of HKDA and WDO to drive innovation and elevate the role of design in addressing global challenges.<\/p>\n

Meanwhile, the collaboration with the Dongguan Government focuses on creating new opportunities for Hong Kong designers in the Greater Bay Area. The agreement includes initiatives to support the integration of Hong Kong’s design talent into Dongguan’s thriving manufacturing ecosystem, fostering innovation, and promoting design-driven economic development.<\/p>\n

These partnerships reflect HKDA’s dedication to building a stronger, more connected design community, enabling local designers to expand their reach, explore new markets, and contribute to the global design landscape. <\/p>\n

Looking into the future<\/u> <\/b> <\/p>\n

The success of the Hong Kong Design Summit 2025 reinforces the Hong Kong Designers Association’s commitment to fostering a thriving and collaborative design community. The event not only celebrated the achievements of designers but also inspired participants to push creative boundaries and drive meaningful change on a global scale.<\/p>\n

For more information about the Hong Kong Designers Association and Hong Kong Design Summit 2025, please visit https:\/\/www.hkdesignsummit.com\/<\/a>   <\/p>\n

For high res images of event, please download from google drive link below:
https:\/\/bit.ly\/44eK2d7<\/a><\/p>\n

About HKDA<\/b> <\/p>\n

Established in 1972, the Hong Kong Designers Association (HKDA) was the first of its kind in Hong Kong and is a founding member of the Hong Kong Design Centre. Its core mission is to promote design’s public interest, cultivate young designers, and elevate the professional status of practising designers across sectors.<\/p>\n

HKDA flagship programmes include of Global Design Awards, GDA (since 1975) \u2013 a well-recognised biennial awards that celebrate outstanding global designs; Hong Kong International Poster Triennial, HKIPT (since 2000) \u2013 a well-recognised annual awards that celebrate outstanding designs with Asian perspectives; Sponsorship for International Design Awards SIDA (since 2011) – A prestigious funding scheme for winners of international design awards.<\/p>\n

With over a thousand individuals and corporations in its diverse membership base, HKDA offers a wide range of membership options for professionals, associates, affiliates, students, and corporations that cover six design disciplines: Graphics, Spatial, Product, Digital, Fashion, and Education. Prioritising design excellence, education, technology integration, sustainability, business support, diversity, and inclusivity, HKDA has established itself as a vital platform for its members, as well as designers, businesses, and organisations throughout the Asia-Pacific region. Through its commitment to advancing these key areas, HKDA provides valuable resources, networking opportunities, and expert guidance to its members while also serving as a hub for innovation and collaboration in the design industry.<\/p>\n

HKDA is committed to raising public awareness of the value and importance of design in society. It partners and collaborates with other design organisations and institutions worldwide, such as the International Council of Design (ico-D) and World Design Organization (WDO), to promote global design excellence, cultural diversity, and international design exchanges. By working with other design organisations on a global scale, HKDA aims to contribute to the development and advancement of the design industry, both locally and internationally.<\/p>\n

Appendix <\/b> A<\/b>  – <\/b> BDA <\/b> Brand Awards 2025 Winners <\/b>(*In Alphabetical order )<\/p>\n

Best of the Best<\/i> <\/b> <\/p>\n

\n\n\n\n\n\n
\n

Best of the Best 1 <\/span> <\/p>\n<\/td>\n

\n

\u300c\u5b89\u8e0f\u300d\uff08ANTA\uff09 <\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Best of the Best 2 <\/span> <\/p>\n<\/td>\n

\n

AIRSIDE<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Best of the Best 3<\/span> <\/p>\n<\/td>\n

\n

\u300c\u74b0\u5883\u4fdd\u8b77\u7f72\u7da0\u5728\u5340\u5340\u300d\uff08GREEN@COMMUNITY of the Environmental Protection Department\uff09<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Grand Award of the Year <\/i> <\/b> <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Aravia Design Limited \u777f\u51e1\u8a2d\u8a08\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

Quooker<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

BeCandle<\/span> <\/p>\n<\/td>\n

\n

SOULITE \u6d6e\u96f2\u751f\u7269<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

CityUHK Milk \u57ce\u5927\u725b\u5976<\/span> <\/p>\n<\/td>\n

\n

SPARKLE by<\/span> <\/p>\n

KAREN CHAN<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

FungFitz \u99ae\u97cb<\/span> <\/p>\n<\/td>\n

\n

Spatial Concept \u610f\u7a7a\u9593\u5ba4\u5167\u8a2d\u8a08<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Gold Peak Technology Group \u91d1\u5c71\u79d1\u6280\u96c6\u5718<\/span> <\/p>\n<\/td>\n

\n

TamJai Mixian \u8b5a\u4ed4\u9999\u6e2f\u7c73\u7dda<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

HAREODY HOME \u83ef\u8afe\u72c4\u5bb6\u5c45<\/span> <\/p>\n<\/td>\n

\n

TeamUnlock+<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Hong Kong Science & Technology Parks Corporation<\/span> <\/p>\n

\u9999\u6e2f\u79d1\u6280\u5712\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

The Spark<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Hong Kong Tramways \u9999\u6e2f\u96fb\u8eca<\/span> <\/p>\n<\/td>\n

\n

Tony Ip Green Architects \u8449\u980c\u6587\u74b0\u4fdd\u5efa\u7bc9\u5e2b\u4e8b\u52d9\u6240<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

IXDC\uff08International eXperience Design Committee\uff09<\/span> <\/p>\n

\u570b\u969b\u9ad4\u9a57\u8a2d\u8a08\u59d4\u54e1\u6703<\/span> <\/p>\n<\/td>\n

\n

TriTerra & Dunwell<\/span> <\/p>\n

\u8cfd\u7279\u7acb\u79d1\u6280 & \u6b63\u660c\u74b0\u4fdd<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Link Sustainability Lab \u9818\u5c55\u53ef\u6301\u7e8c\u672a\u4f86\u9928<\/span> <\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Best Innovation Brand Award<\/i> <\/b> <\/p>\n

\n\n\n\n\n\n
\n

Arti Studio Limited<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Creato<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Mr. Q Panda Workshop<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Best Brand Image Award<\/i> <\/b> <\/p>\n

\n\n\n\n\n\n\n
\n

CityUHK Milk<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Hong Kong Tramways<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Tin Ka Ping Centre of Chinese Culture, HKMU<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Panda SME Consultancy Limited\u718a\u8c93\u4f01\u696d\u9867\u554f\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Best Sustainability Brand Award<\/i> <\/b> <\/p>\n

\n\n\n\n\n\n
\n

Benjamin Moore<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Dress Green<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

The Spark<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Best User Experience Brand Award<\/i> <\/b> <\/p>\n

\n\n\n\n\n\n\n
\n

Glamstudio<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Heep Hong Society<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

UAL MA Design Management (Hong Kong Cohort)<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

\u5922\u6a02<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Best Market Value Brand Award<\/i> <\/b> <\/p>\n

\n\n\n\n\n\n
\n

Chill Play New Media<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

Gordon Parenting<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

TRICKSTER<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

Appendix B \u2013 Global Design Awards 2025 Winners<\/b> <\/p>\n

GDA 2025 – Gold Awards<\/b> <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p>\n<\/td>\n

\n

CycleCore<\/span> <\/p>\n<\/td>\n

\n

Mui Kinoshita<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

2<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Ventete<\/span> <\/p>\n<\/td>\n

\n

Ventete<\/span> <\/p>\n<\/td>\n

\n

Colin Herperger, Sam Davies, Patch Perez, Steven Pippin, Steven Davies<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

EH216-S\u96fb\u52d5\u7121\u4eba\u99d5\u99db\u8f09\u4eba\u822a\u7a7a\u5668<\/span> <\/p>\n<\/td>\n

\n

\u5104\u822a\u667a\u6167\u578b\u8a2d\u5099\uff08\u5ee3\u5dde\uff09\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

\u5104\u822a\u667a\u80fd<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

4<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Planar three-dimensions<\/span> <\/p>\n<\/td>\n

\n

Academy of Arts & Design, Tsinghua University<\/span> <\/p>\n<\/td>\n

\n

Li Yingjun<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

5<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Indecision<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

6<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u300a\u77f3\u6d41\u51b0\u5ddd\u300b”Stone Flow Glacier”<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

7<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

HUSH\uff0eRUSH  \u8b10\uff0e\u885d<\/span> <\/p>\n<\/td>\n

\n

CHOI SAI HO<\/span> <\/p>\n<\/td>\n

\n

CHOI SAI HO<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

8<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

TSM Xiangtangshan XTS iDome Project<\/span> <\/p>\n<\/td>\n

\n

Tsz Shan Monastery Limited<\/span> <\/p>\n<\/td>\n

\n

Eddy Hui<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

9<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u7b80\u5355\u4e0a\u4e0b EasyGo<\/span> <\/p>\n<\/td>\n

\n

\u6210\u90fd\u89c5\u65b9\u6587\u5316\u4f20\u64ad\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

Xingyue Deng<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

10<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

PolyU School of Fashion and Textiles<\/span> <\/p>\n<\/td>\n

\n

Toby Ng Design<\/span> <\/p>\n<\/td>\n

\n

Toby Ng Design<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

11<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

RegeneOffice<\/span> <\/p>\n<\/td>\n

\n

NOSIGNER<\/span> <\/p>\n<\/td>\n

\n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

12<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

hong kong palace museum_the quest for originality<\/span> <\/p>\n<\/td>\n

\n

84000 communications limited<\/span> <\/p>\n<\/td>\n

\n

anothermountainman (stanley wong)  X collective studio<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

13<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Galaxy Macau Kidz Edutainment Centre<\/span> <\/p>\n<\/td>\n

\n

Groundwork<\/span> <\/p>\n<\/td>\n

\n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

GDA 2025 – Judges Choice <\/b> <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Winnif Pang)<\/span> <\/p>\n<\/td>\n

\n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p>\n<\/td>\n

\n

CycleCore<\/span> <\/p>\n<\/td>\n

\n

Mui Kinoshita<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

2<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(\u738b\u6587\u6771\uff09<\/span> <\/p>\n<\/td>\n

\n

EH216-S\u96fb\u52d5\u7121\u4eba\u99d5\u99db\u8f09\u4eba\u822a\u7a7a\u5668<\/span> <\/p>\n<\/td>\n

\n

\u5104\u822a\u667a\u6167\u578b\u8a2d\u5099\uff08\u5ee3\u5dde\uff09\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

\u5104\u822a\u667a\u80fd<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Pradyumna Vyas)<\/span> <\/p>\n<\/td>\n

\n

COM-PLATES \u2161<\/span> <\/p>\n<\/td>\n

\n

KOUSHIN DIE & MOLD WORKS LTD.<\/span> <\/p>\n<\/td>\n

\n

HIROSHI TAKAHASHI<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

4<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(\u623f\u7469\u3001Kay Kwok\u3001Tony Vergara)<\/span> <\/p>\n<\/td>\n

\n

Planar three-dimensions<\/span> <\/p>\n<\/td>\n

\n

Academy of Arts & Design, Tsinghua University<\/span> <\/p>\n<\/td>\n

\n

Li Yingjun<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

5<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Bernd Kracke\u3001Henry Chu)<\/span> <\/p>\n<\/td>\n

\n

HUSH\uff0eRUSH  \u8b10\uff0e\u885d<\/span> <\/p>\n<\/td>\n

\n

CHOI SAI HO<\/span> <\/p>\n<\/td>\n

\n

CHOI SAI HO<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

6<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Pavel Mrkus)<\/span> <\/p>\n<\/td>\n

\n

RESPIRA 2.0<\/span> <\/p>\n<\/td>\n

\n

Future Spaces Vision Lab, School of Design, SUSTech<\/span> <\/p>\n<\/td>\n

\n

Yong Zhao, Luwen Zhang, Mirna Zordan<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

7<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Vince Frost)<\/span> <\/p>\n<\/td>\n

\n

\u7b2c\u516d\u5c46\u95dc\u4e2d\u5fd9\u7f77\u85dd\u8853\u7bc0<\/span> <\/p>\n<\/td>\n

\n

Untitled Macao<\/span> <\/p>\n<\/td>\n

\n

Untitled Macao<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

8<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(\u97d3\u5bb6\u82f1)<\/span> <\/p>\n<\/td>\n

\n

Typeface Design for Brand Design Awards Awardee Book 2023<\/span> <\/p>\n<\/td>\n

\n

Eric Chan Design Co Ltd<\/span> <\/p>\n<\/td>\n

\n

Eric Chan, Bai Chia Ping<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

9<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Norito Shinmura)<\/span> <\/p>\n<\/td>\n

\n

2024\u534e\u8bed\u767e\u4f73\u6d77\u62a5\u9080\u8bf7\u5c55<\/span> <\/p>\n<\/td>\n

\n

\u540c\u6d4e\u5927\u5b66\u8bbe\u8ba1\u521b\u610f\u5b66\u9662<\/span> <\/p>\n<\/td>\n

\n

\u5b59\u5927\u65fa\u3001\u6f58\u60e0<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

10<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Thomas Kvan)<\/span> <\/p>\n<\/td>\n

\n

RegeneOffice<\/span> <\/p>\n<\/td>\n

\n

NOSIGNER<\/span> <\/p>\n<\/td>\n

\n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

11<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice
(Thomas Garvey)<\/span> <\/p>\n<\/td>\n

\n

Through The Years, To Touch You<\/span> <\/p>\n<\/td>\n

\n

X-ARt<\/span> <\/p>\n<\/td>\n

\n

Tristan BRAUD, Brian LAU, Dominie CHAN Hoi Lam, Christopher CHAN<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

12<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Judge Choice<\/span> <\/p>\n

(Horace Pan)<\/span> <\/p>\n<\/td>\n

\n

Jockey Club Project Well-being: Place-making at Schools<\/span> <\/p>\n<\/td>\n

\n

PolyU College of Professional and Continuing Education<\/span> <\/p>\n<\/td>\n

\n

PolyU College of Professional and Continuing Education, Architecture Commons, One Bite Design Studio, DOMAT, Groundwork, Littleurbanmountain Design, The Third Teacher, Kay Chan & Unite Unit<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

GDA 2025 \u2013 Global Top 10<\/b> <\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p>\n<\/td>\n

\n

CycleCore<\/span> <\/p>\n<\/td>\n

\n

Mui Kinoshita<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

2<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Ventete<\/span> <\/p>\n<\/td>\n

\n

Ventete<\/span> <\/p>\n<\/td>\n

\n

Colin Herperger, Sam Davies, Patch Perez, Steven Pippin, Steven Davies<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

3<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

EH216-S\u96fb\u52d5\u7121\u4eba\u99d5\u99db\u8f09\u4eba\u822a\u7a7a\u5668<\/span> <\/p>\n<\/td>\n

\n

\u5104\u822a\u667a\u6167\u578b\u8a2d\u5099\uff08\u5ee3\u5dde\uff09\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

\u5104\u822a\u667a\u80fd<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

4<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

COM-PLATES \u2161<\/span> <\/p>\n<\/td>\n

\n

KOUSHIN DIE & MOLD WORKS LTD.<\/span> <\/p>\n<\/td>\n

\n

HIROSHI TAKAHASHI<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

5<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Exlicon Lock- Perspective Drafting Tools To Unlock Creativity<\/span> <\/p>\n<\/td>\n

\n

Ddiin Concept Limited<\/span> <\/p>\n<\/td>\n

\n

Sofia Lee Pik Shan\/ Lee Yuk Shui<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

6<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Sakanakaruta<\/span> <\/p>\n<\/td>\n

\n

Chiba Print Co.,Ltd<\/span> <\/p>\n<\/td>\n

\n

Kyosuke Ishita, Seishiro Masutani, SANAGI design studio<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

7<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Exlicon L- Precision Golden Ratio Tools for Art and Geometry<\/span> <\/p>\n<\/td>\n

\n

Ddiin Concept Limited<\/span> <\/p>\n<\/td>\n

\n

Sofia Lee Pik Shan\/ Lee Yuk Shui<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

8<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

A Universal Charging post with CCS2 charging connectors and Type 2 sockets<\/span> <\/p>\n<\/td>\n

\n

Entrust Microgrid Ltd<\/span> <\/p>\n<\/td>\n

\n

Nan Jiang<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

9<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u667a\u80fd\u5272\u8349\u673a<\/span> <\/p>\n<\/td>\n

\n

\u6df1\u5733\u5e02\u610f\u81e3\u5de5\u4e1a\u8bbe\u8ba1\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

\u6df1\u5733\u5e02\u610f\u81e3\u5de5\u4e1a\u8bbe\u8ba1\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

10<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

VAAKA the Coffee and Tea Balance<\/span> <\/p>\n<\/td>\n

\n

Pong company ltd.<\/span> <\/p>\n<\/td>\n

\n

leo yiu<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

11<\/span> <\/p>\n<\/td>\n

\n

PRODUCT  DESIGN<\/span> <\/p>\n<\/td>\n

\n

Uphold Cutlery Compact<\/span> <\/p>\n<\/td>\n

\n

Uphold Living Limited<\/span> <\/p>\n<\/td>\n

\n

Eravolution Limited<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

12<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Planar three-dimensions<\/span> <\/p>\n<\/td>\n

\n

Academy of Arts & Design, Tsinghua University<\/span> <\/p>\n<\/td>\n

\n

Li Yingjun<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

13<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Indecision<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

14<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u300a\u77f3\u6d41\u51b0\u5ddd\u300b”Stone Flow Glacier”<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

15<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

M.Wavecut<\/span> <\/p>\n<\/td>\n

\n

Double Black Company Limited<\/span> <\/p>\n<\/td>\n

\n

Brian Chan<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

16<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

M.Snowflake<\/span> <\/p>\n<\/td>\n

\n

Double Black Company Limited<\/span> <\/p>\n<\/td>\n

\n

Brian Chan<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

17<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Evanesce Series: Fashionable and Functional Lingerie for Elderly Women<\/span> <\/p>\n<\/td>\n

\n

PolyU Design x Silver Innovation<\/span> <\/p>\n<\/td>\n

\n

Anthony Kong and Christie Ho<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

18<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Stroke<\/span> <\/p>\n<\/td>\n

\n

MODE CREATION LIMITED<\/span> <\/p>\n<\/td>\n

\n

Sin Mei Yuk, Aries<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

19<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

Hang Onto The Present<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n

\n

FungFitz<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

20<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

QIPAO Capsule Series<\/span> <\/p>\n<\/td>\n

\n

FAVE BY KENNY LI<\/span> <\/p>\n<\/td>\n

\n

Kenny Li<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

21<\/span> <\/p>\n<\/td>\n

\n

FASHION DESIGN<\/span> <\/p>\n<\/td>\n

\n

ARTY:ACTIVE ECO OUTDOOR SPORTS COLLECTION<\/span> <\/p>\n<\/td>\n

\n

plant216<\/span> <\/p>\n<\/td>\n

\n

gary tsang<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

22<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

HUSH\uff0eRUSH  \u8b10\uff0e\u885d<\/span> <\/p>\n<\/td>\n

\n

CHOI SAI HO<\/span> <\/p>\n<\/td>\n

\n

CHOI SAI HO<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

23<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

RESPIRA 2.0<\/span> <\/p>\n<\/td>\n

\n

Future Spaces Vision Lab, School of Design, SUSTech<\/span> <\/p>\n<\/td>\n

\n

Yong Zhao, Luwen Zhang, Mirna Zordan<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

24<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

TSM Xiangtangshan XTS iDome Project<\/span> <\/p>\n<\/td>\n

\n

Tsz Shan Monastery Limited<\/span> <\/p>\n<\/td>\n

\n

Eddy Hui<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

25<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Whale Trails: Al-PoweredWhale Sightings<\/span> <\/p>\n<\/td>\n

\n

Zhijun Song\/ Yi’nan Chen<\/span> <\/p>\n<\/td>\n

\n

Yinan Chen & Zhijun Song<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

26<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Life through a window<\/span> <\/p>\n<\/td>\n

\n

The Hong Kong Polytechnic University<\/span> <\/p>\n<\/td>\n

\n

Hillary KWAN<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

27<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Feel in the blank: Weaving the story with phygital design<\/span> <\/p>\n<\/td>\n

\n

PolyU Design x 430<\/span> <\/p>\n<\/td>\n

\n

Anthony Kong<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

28<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

cineDESK<\/span> <\/p>\n<\/td>\n

\n

Hong Kong Academy for Performing Arts, Zurich University of the Arts<\/span> <\/p>\n<\/td>\n

\n

Dr. Terry Lam, Mr. Vincent Cheung, Mr. Norbert Kottmann, Mr. Manuel Flurin Hendry, Mr. Valentin Huber<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

29<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

University Copilot<\/span> <\/p>\n<\/td>\n

\n

Wow Internet Labz Pvt. Ltd<\/span> <\/p>\n<\/td>\n

\n

Vinayak Bhandare<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

30<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Her View<\/span> <\/p>\n<\/td>\n

\n

\u4e2a\u4eba<\/span> <\/p>\n<\/td>\n

\n

\u9ece\u828a\u97f5<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

31<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

High Sections \/ Low Leaps<\/span> <\/p>\n<\/td>\n

\n

Marcel Zaes Sagesser, Tristan Braud, Zhen Wu, Sylvia Gyuwon Lee<\/span> <\/p>\n<\/td>\n

\n

Marcel Zaes Sagesser, Tristan Braud, Zhen Wu, Sylvia Gyuwon Lee<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

32<\/span> <\/p>\n<\/td>\n

\n

DIGITAL DESIGN<\/span> <\/p>\n<\/td>\n

\n

Innovating Cultural IP Marketing & Appreciation with Digitalization & AI<\/span> <\/p>\n<\/td>\n

\n

Appreciator Innovation Company Limited<\/span> <\/p>\n<\/td>\n

\n

Appreciator Innovation Company Limited<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

33<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u7b80\u5355\u4e0a\u4e0b EasyGo<\/span> <\/p>\n<\/td>\n

\n

\u6210\u90fd\u89c5\u65b9\u6587\u5316\u4f20\u64ad\u6709\u9650\u516c\u53f8<\/span> <\/p>\n<\/td>\n

\n

Xingyue Deng<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

34<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

PolyU School of Fashion and Textiles<\/span> <\/p>\n<\/td>\n

\n

Toby Ng Design<\/span> <\/p>\n<\/td>\n

\n

Toby Ng Design<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

35<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u7b2c\u516d\u5c46\u95dc\u4e2d\u5fd9\u7f77\u85dd\u8853\u7bc0<\/span> <\/p>\n<\/td>\n

\n

Untitled Macao<\/span> <\/p>\n<\/td>\n

\n

Untitled Macao<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

36<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Typeface Design for Brand Design Awards Awardee Book 2023<\/span> <\/p>\n<\/td>\n

\n

Eric Chan Design Co Ltd<\/span> <\/p>\n<\/td>\n

\n

Eric Chan, Bai Chia Ping<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

37<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

2024\u534e\u8bed\u767e\u4f73\u6d77\u62a5\u9080\u8bf7\u5c55<\/span> <\/p>\n<\/td>\n

\n

\u540c\u6d4e\u5927\u5b66\u8bbe\u8ba1\u521b\u610f\u5b66\u9662<\/span> <\/p>\n<\/td>\n

\n

\u5b59\u5927\u65fa\u3001\u6f58\u60e0<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

38<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

seeing words in hong kong \/ redwhiteblue \/\/ words talking \/ self talking<\/span> <\/p>\n<\/td>\n

\n

84000 communications limited<\/span> <\/p>\n<\/td>\n

\n

anothermountainman (stanley wong) \/ 84000 communications<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

39<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Dino Kiddo<\/span> <\/p>\n<\/td>\n

\n

Untitled Macao<\/span> <\/p>\n<\/td>\n

\n

Untitled Macao<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

40<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

world peace \u5929\u4e0b\u592a\u5e73<\/span> <\/p>\n<\/td>\n

\n

84000 communications limited<\/span> <\/p>\n<\/td>\n

\n

anothermountainman (Stanley Wong) \/ 84000 communications<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

41<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

guangzhou design trienniel 2024 \/ section 4 \/ design : surviving : living : being<\/span> <\/p>\n<\/td>\n

\n

84000 communications limited<\/span> <\/p>\n<\/td>\n

\n

anothermountainman (stanley wong) \/ 84000 communications<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

42<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Osaka Poster Fest 2021 – CONTACT Series<\/span> <\/p>\n<\/td>\n

\n

Eric Chan<\/span> <\/p>\n<\/td>\n

\n

Eric Chan, Linda Wong<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

43<\/span> <\/p>\n<\/td>\n

\n

GRAPHIC DESIGN<\/span> <\/p>\n<\/td>\n

\n

Otera<\/span> <\/p>\n<\/td>\n

\n

Bake and Brew Limited<\/span> <\/p>\n<\/td>\n

\n

Tang Ho Pan, Alex<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

44<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

RegeneOffice<\/span> <\/p>\n<\/td>\n

\n

NOSIGNER<\/span> <\/p>\n<\/td>\n

\n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

45<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

hong kong palace museum_the quest for originality<\/span> <\/p>\n<\/td>\n

\n

84000 communications limited<\/span> <\/p>\n<\/td>\n

\n

anothermountainman (stanley wong)  X collective studio<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

46<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Galaxy Macau Kidz Edutainment Centre<\/span> <\/p>\n<\/td>\n

\n

Groundwork<\/span> <\/p>\n<\/td>\n

\n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

47<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Through The Years, To Touch You<\/span> <\/p>\n<\/td>\n

\n

X-ARt<\/span> <\/p>\n<\/td>\n

\n

Tristan BRAUD, Brian LAU, Dominie CHAN Hoi Lam, Christopher CHAN<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

48<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p>\n<\/td>\n

\n

CycleCore<\/span> <\/p>\n<\/td>\n

\n

Mui Kinoshita<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

49<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

\u9519\u4f4d\u793e\u533a-\u6771\u9e26<\/span> <\/p>\n<\/td>\n

\n

\u4e0a\u6d77\u81f3\u6240\u88c5\u9970\u8bbe\u8ba1\u5de5\u7a0b\u6709\u9650\u516c\u53f8\uff08HOOOLD\u8bbe\u8ba1\u4e8b\u52a1\u6240\uff09<\/span> <\/p>\n<\/td>\n

\n

\u97e9\u78ca<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

50<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Haikou Goxingli Insun Cinema<\/span> <\/p>\n<\/td>\n

\n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p>\n<\/td>\n

\n

AJAX LAW LING KIT & VIRGINIA LUNG<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

51<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Nanyang Wanyue City Square<\/span> <\/p>\n<\/td>\n

\n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p>\n<\/td>\n

\n

AJAX LAW LING KIT & VIRGINIA LUNG<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

52<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Mirror Maze<\/span> <\/p>\n<\/td>\n

\n

Elsedesign + Department of Architecture Tunghai University<\/span> <\/p>\n<\/td>\n

\n

Philip Fung<\/span> <\/p>\n<\/td>\n<\/tr>\n

\n

53<\/span> <\/p>\n<\/td>\n

\n

INTERIOR DESIGN<\/span> <\/p>\n<\/td>\n

\n

Nanshan Cinesky Cinema<\/span> <\/p>\n<\/td>\n

\n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p>\n<\/td>\n

\n

AJAX LAW LING KIT & VIRGINIA LUNG<\/span> <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

HONG KONG, May 2, 2025 \/PRNewswire\/ — The Hong Kong Designers Association (HKDA) proudly hosted the Hong Kong Design Summit 2025 on April 25, 2025, at sky100, International Commerce Centre, bringing together over 1,200 participants from various design disciplines, corporates, and brands. Themed “Design Exploration : Envisioning the Future of Creativity“, the event provided an […]<\/p>\n","protected":false},"author":8,"featured_media":36114,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-36113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-business-news"],"yoast_head":"\nHong Kong Designers Association Design Summit cum BDA Brand Award 2025 & Global Design Awards 2025 Award Presentation Ceremony : Design Exploration : Envisioning the Future of Creativity - My Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/transmediavictoria.net.au\/?p=36113\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hong Kong Designers Association Design Summit cum BDA Brand Award 2025 & Global Design Awards 2025 Award Presentation Ceremony : Design Exploration : Envisioning the Future of Creativity - My Blog\" \/>\n<meta property=\"og:description\" content=\"HONG KONG, May 2, 2025 \/PRNewswire\/ — The Hong Kong Designers Association (HKDA) proudly hosted the Hong Kong Design Summit 2025 on April 25, 2025, at sky100, International Commerce Centre, bringing together over 1,200 participants from various design disciplines, corporates, and brands. 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